Manchester (16-19 August, 2010)
Manchester was the ugliest of the three cities I visited on this trip. The canal is disgusting. Yet, every time someone asks me which city I liked best out of Manchester, Glasgow and Newcastle, I find myself saying Manchester. It got under my skin in a way I didn't anticipate. The city is fiercely proud of it's musical heritage. Sure, there's a hint of the cash-in about Peter Hook's Factory club and in the Smiths/Stone Roses/Factory Records t-shirts, coffee mugs and framed posters in some of the shops I visited, but it seemed as much about pride as pound-chasing. You can feel it in the air (along with the feverish passion for football).
Empire Exchange, 1 Newton Street
Grace Jones Private Life/She's Lost Control 7"
The Sugarcubes Birthday 7"
Not just a record store, Empire have loads of second-hand books, magazines, comics, pop culture artefacts, Manchester United memorabilia and, er, pornography. It's a totally un-slick downstairs den and all the better for it. My hit-rate here wasn't great but the trash adds to the charm and it's a good place to kill an hour or two. I very nearly bought a second copy of The Pink Floyd's Relics just for the sticker on the lovingly crayon coloured-in cover: "Original textured sleeve with genuine stoned-hippy colouring-in!". Didn't know Grace Jones had covered "She's Lost Control". Her version's pretty odd, yet somehow perfect. Empire also have a publications wing for Manchester-related books, including Phill Gatenby's Morrissey's Manchester. I bought a copy and it's a pretty useful guidebook to the city in general, though it did make me realise that I'm no uber fan (I did walk past Granada Television but not because there's a photo of it on the back cover of the deluxe CD reissue of Viva Hate).
Kingbee Records, 519 Wilbraham Road, Chorlton
B.C. Gilbert/G. Lewis 3R4 LP
Albert Mangelsdorff/Masahiko Sato/Peter Warren/Allen Blairman Spontaneous LP
Curtis Mayfield Sweet Exorcist LP
Mike Murray/Randall Colbourne/Stephen G. Scholz In Motion LP
Mike Osborne Trio All Night Long LP
Buffy Sainte-Marie She Used To Wanna Be A Ballerina LP
The Wedding Present Go-Go Dancer/Don't Cry No Tears 7"
The very helpful man at Empire said Kingbee was worth a visit. They also had a half price sale on all their vinyl starting that day. Enough said. I took the bus out there the next morning and found a bunch of treats. I always maintain that finding record stores is a good way to see a new city. I never would have taken a bus to Chorlton (or left the city centre at all) without that motivation. I bought the Wedding Present 7" primarily for the b-side (yep, Neil Young cover) but "Go-Go Dancer" is incredible! Can't believe I was lukewarm on them until this year.
Good Grief!, Third Floor, Afflecks, 52 Church Street
Bridget Hayden untitled CDR
Good Grief! is a tiny little handmade art nook tucked away on the third floor of the labyrinthine Afflecks indoor markets. They've got comics, zines, hand-screened tea towels and a small selection of mostly local tapes, CDRs and vinyl (including stock from Manchester label Golden Lab Records, who released this Bridget Hayden CDR).
Piccadilly Records, 53 Oldham Street
Sun Ra The Antique Blacks LP
One of my favourite haunts growing up in Tauranga, NZ was Piccadilly Records. Of course it's gone now and in light of shops I've visited since it wasn't that great. But they did have plentiful Flying Nun releases, and key punk-era stuff like Suicide, Patti Smith and the Buzzcocks Product 3CD set, which I had on lay-by for what felt like years, whittling down the amount owed with my pocket money. The guy who normally worked there was a Radiohead nut, which I didn't get, but he also turned me onto Joy Division, gave me a nice 3Ds promo poster and once made me a VHS tape of The Cure's Play Out and The Jesus & Mary Chain's Videos 1985 to 1989 (with some live Radiohead on the end for evangelical purposes), all of which I'm very grateful for.
So was this Piccadilly Records anything like my one? No. Their stock (all new, focusing on recent releases on vinyl) is very good but the shop itself is pretty sterile. It would've been hard to pass up this recent reissue of a '74 Sun Ra live recording though with its stunning all-black debossed sleeve. When there's so much Sun Ra available that's as good a reason as any to choose one album over another.
Vinyl Exchange, 18 Oldham Street
Akiyama/Sugimoto/Wiget Periodic Drift CD
Ascension Five Titles CD
Ed Askew Little Eyes CD
Che-SHIZU A Journey CD
Marchetti/Noetinger/Werchowski s/t CD
I hit a rich seam of '90s/early '00s noise here, which was a treat. Lots of Corpus Hermeticum and Metonymic titles, including a few I'd been after. Also plenty of PSF albums, though Vinyl Exchange make the same mistake as many others in thinking that all Japanese underground music is extremely rare and should be priced accordingly (there are actually very few PSF titles that are out of print and their English language site makes all the rest available at quite reasonable prices). Their jazz vinyl section was pretty stunning but very much priced towards the collector nut market. Frustrating.
Vinyl Revival, 5 Hilton Street
Amon Duul II Yeti 2LP
The Carter Family A Collection Of Favorites By The Carter Family LP
This was an interesting experience. The whole time I was there the stereo was blaring with talkback radio of the "all people on benefits are lazy scum" variety. One of the hosts made a heartfelt statement about the profundity of his favourite film Wall Street and what it says about the moral benefits of working hard and the beauty of the capitalist system. The content was borderline funny but it was cranked up SO LOUD IT ACTUALLY HURT. I gathered that the man behind the counter was filling in though, so don't be put off. The focus of the shop seemed to be vinyl reissues, which is fine by me, and a lot of items seemed to be considerably cheaper here than elsewhere. There were also solid Manchester and cheapies sections, so definitely worth a look.
Glasgow (19-22 August, 2010)
I love Scotland. It feels more like home than anywhere else I've been in the Northern Hemisphere. Even the hills on the way in look right in a way that English "hills" don't (a slight incline is considered a hill here). They're dramatic and rough, not rolling and grassy. This time in Scotland there were some not so great external factors which made my stay a bit miserable. I received news of an extended family death just before leaving Manchester and then a second, closer family death (my grandmother) on my first full day in Glasgow. My accommodation in Glasgow was about as un-comforting as you can get. It was a hovel masquerading as a hostel. More like a "squat-stay experience" (now there's a business idea) than a backpackers, though that comparison is unkind to the squats I have visited. But I soldiered on, surviving on a diet of poor sleep, numbing whisky and cheap Chinese food.
Unlike Manchester, where all but one of the record stores I visited are located within five minutes walk of each other, the Glasgow shops are very spread out so I did a lot of walking. The first place I visited, Lost Chord in Park Road, was disappointing I must say. The stock was mostly '80s trash and it was so cluttered and disorganised I couldn't really be bothered searching through it all. Like Empire Exchange in Manchester, they also had a used porn section. None of these things were endearing. Then I spotted a sign saying that their rarities are listed in a green folder at the counter. I spied a yellow folder and went to pick it up. "That's out of date, most of those will be gone now", said the woman pottering behind the counter. She asked me if I had access to the internet and said to look them up on Gemm. So basically even the shopkeeper told me that visiting their shop was a waste of time. Not a great start.
Mixed Up Records, 18 Otago Lane
John Cage with David Tudor Variations IV LP
Quicksilver Messenger Service Happy Trails LP
Luckily Mixed Up isn't far from Lost Chord so the walk wasn't wasted. In Scotland, Otago is pronounced Oh-tay-go, not Oh-tar-go as it is in NZ. Good to know. Otago Lane is quite hidden away so there is a good chance you'll need to ask someone. I noticed that there's a "Save Otago Lane" campaign underway. Hopefully it can be saved from redevelopment because Mixed Up is a nice little shop (all second-hand). The prices are good too (£12 and £4, respectively). The Quicksilver Messenger Service purchase is me giving them a second chance. The compilation I heard about five years ago was patchy - some stunners and some duds - but their name keeps popping up in relation to interesting things. Plus, when I went to Modern Music (the PSF Records shop in Tokyo) with Kawaguchi Masami last year, he bought three Quicksilver bootleg CDs from this era (and nothing else). That's a good enough recommendation for me.
Cancer Research UK, 269 Sauchiehall Street
Funkadelic The Best Of Funkadelic 1976-1981 2LP
Funkadelic double LP for £3? Sold! There wasn't anything else of interest but who cares when you strike a deal like that?
Love Music, 34 Dundas Street
New Order Movement LP
v/a 53rd & 3rd: Fun While It Lasted ... The Compilation LP
v/a 53rd & 3rd Present AGARR Retro: Fun While It Lasted Part II LP
To be honest I can't remember much about this one. It's right by the Queen Street Station. They have a combination of new and used. Umm ... what else? Love Music used to be a branch of Avalanche Records, which I guess is why they had new copies of the 53rd & 3rd Records retrospectives for cheap (they were released by the Avalanche label).
Monorail Music, 12 Kings Court
Circle X Prehistory CD
D!O!D!O!D! Ghost Temple CD
Flipper Gone Fishin' CD
Husker Du Land Speed Record LP
Islaja/TV-Resistori Melodi Melodika/Kammen, Kynsi, Kieli Split 7"
JPS Experience Precious 7"
Nagisa Ni Te Yosuga 2LP
Octis Navlt/Twelon 7"
Swell Maps Wastrels And Whippersnappers CD
Peter Wright Pretty Mushroom Clouds CD
From Stephen Pastel's label (he co-founded 53rd & 3rd) to Stephen Pastel's shop. A couple of very pleasing finds here. I fell in love with the Islaja/TV-Resistori 7" while I was looking after Jane Austen's Northern Hemisphere record collection for a few months last year. There were three records that I really coveted in that collection (the others were KTL's 2 and the Vivian Girls' Wild Eyes 7"). This is the only one of the three that I hadn't since ticked off my shopping list so finding it at Monorail for a bargain 99p was a treat (especially after a near miss at Spillers Records in Cardiff). Trumping this, though, was the JPS Experience 7", which I'd been after for much longer. Big nostalgia points here. Precious came out when I was 11 and still a couple of years away from getting into the whole Flying Nun thing but I remember loving it instantly. There is something very 11-years-old about the song, with its wide-eyed twinkly naivete and almost tweeny poppiness. Twelve would be stretching it. Definitely not 13 - that's the end of the golden weather. Those wide eyes start to narrow and harden (mine did anyway). Like any good pop song it seemed to drop out of the sky but, even now, I still struggle to think of it in any kind of FN/JPSE context. In addition to personally being oblivious to its context at the time, the song didn't appear on their next album Bleeding Star and, curiously, hasn't popped up on any FN compilations, all of which makes it easy to think of the song as being outside the canon. Maybe the band hate it? It's definitely of a time (shoegaze indie pop circa '91) but I still think it's near-perfect for what it is.
Most of what I bought was second-hand or bargain priced so the damage wasn't quite as bad as the list would suggest, but yeah, obviously I liked Monorail. It's located inside Mono, which is a very nice vegan cafe/bar/venue. Music shopping is better on a full stomach.
Volcanic Tongue, 1129 Argyle Street
Arthur Doyle with Rudolph Grey Ghosts II 7"
Alastair Galbraith Mass LP
Rudolph Grey "The Real Evelyn McHale?"/4 Hands Is Better Than None 7"
Across the other side of town, Volcanic Tongue is about the size of one of the toilet cubicles at Mono. Like most online shops with a physical presence, it's somehow less impressive in person than you imagine. The stock is of course very good though, so unlike most shops you don't need to wade through acres of dreck to find the good stuff. Given an unlimited budget I'd buy half the shop. I'm always a bit torn with Volcanic Tongue because while David Keenan has, both as VT founder and as a writer for Opprobrium and The Wire, introduced me to some incredible music he has also perpetrated some journalistic atrocities (H********c P*p being the worst). I'm uncomfortable with the influence he has as a tastemaker but he is on the money about some things, damn him (these Doyle/Grey and Grey 7"s really are as good as he says - come back Rudolph!).
Subcurrent 2010 (merch table), Centre For Contemporary Arts, Saturday 21 August, 2010
Part Wild Horses Mane On Both Sides Blew In The Face LP
The Volcanic Tongue-curated Subcurrent event at the CCA that night provided another opportunity to sample Keenan's tastes. It was mostly enjoyable. Smoke Jaguar were a pretty impressive good cop/bad cop noise guitar duo, though about two thirds through they dropped in the riff from Les Rallizes Denudes' "The Last One" and stayed with it, which seemed a bit gratuitous. The out-of-nowhere hype around flute/drums duo Part Wild Horses Mane On Both Sides in the last year or two meant that I was hopeful but also ready to be underwhelmed by them. On paper they seemed right up my alley (some kind of post-noise psychedelic Mu) and as it turned out they were great! Things were a little ropey to start off with but by the end I was a fan. Their unflashy and relaxed command of the space was such that it felt like being transported into their practice room rather than them being dragged into a slightly sterile performance space. Keenan's wife and Volcanic Tongue partner (not to mention ex-Charalambides pedal steel star) Heather Leigh was up next. Her combination of pure, clear vocals, brutal string sound and glamorous presentation reminded me of a dream I once had about a kind of female pop star version of Keiji Haino wowing crowds of normals at a village fair. It was the most incredible thing I've ever "heard" and I've been searching for that sound ever since. Heather Leigh's not quite it but she's moving in an interesting direction for sure. I wasn't quite sure how Richard Youngs (pictured) would perform his pop album Beyond The Valley Of Ultrahits live. His decision to do it as an "Ultrahits karaoke" set was inspired and it made for the performance of the night. Having only the vocals to perform live left him free to sing his heart out, while hamming it up a little and revelling in the absurdity at the same time. The songs were all brilliant - pop in the sense that Colin Newman's A-Z is pop. MV & EE still bore the shit out of me. About five minutes into their set I thought maybe I'd misjudged them. They certainly changed the atmosphere in the room, which is always an impressive feat. As it went on (and on and on), though, I remembered what bothered me about them in the first place. The dynamics are so flat that over time mellowness turns to agitation and then anger. I had to leave.
Newcastle/Gateshead (22-25 August, 2010)
Newcastle was as much about visiting a friend as visiting Newcastle so that, combined with record store fatigue (and wallet fatigue), meant that I took things easy. We did briefly visit one record store, Beatdown Records on the corner of Clayton and Bewick Streets. It was as good as a lot of the shops I'd visited elsewhere but there wasn't anything I had to have.
The Baltic, Gateshead Quays, South Shore Road
Christian Marclay Guitar Drag One-sided LP
We went to The Baltic to see the excellent exhibition of John Cage's visual art, Every Day Is A Good Day, which consisted mostly of elegant works on paper, though there was also a sound/video/projections installation HPSCHD (pictured below) created in collaboration with Lejaren Hiller. There was a wealth of great supplementry/educational material on offer too, with interview and performance videos and sound recordings. Christian Marclay had a piece in a Cage tribute sideshow exhibition, Cage Mix, hence his Guitar Drag LP being on offer in gift shop. It's funny how in an unexpected context records don't look like records (there were a few CDs and DVDs in the shop but no other vinyl). At first glance I thought the stack of Guitar Drag LPs on display were calendars. I almost escaped Newcastle without buying anything but not quite.
Saturday, 28 August 2010
Spend, Spend, Spend Pt. 2: Manchester, Glasgow and Newcastle
Manchester (16-19 August, 2010)